Spoiler alert, but at the end of the Time of the Doctor Matt Smith actually regenerates into Peter Capaldi. I know, they kept that one quiet.
It was a well acted, heart destroying scene that managed to draw on elements from The 11th Doctor’s entire run but never felt drawn out or overplayed in a way that David Tennant’s final moments were (controversial).
It got me thinking about The Doctor’s other regeneration scenes, since thanks to Day of the Doctor, we’ve now got ’em all. There have been some dodgy ones, and some pretty disappointing ones. As you may have guessed from the title though, these are what I reckon are his best ones.
Peter Davison to Colin Baker (Caves of Androzani)
Okay, so it may have heralded in the beginning of Doctor Who’s decline into not very goodness (through no fault of Colin Baker) but this is a strong, emotional scene that tops off one of classic Who’s best stories.
While it has it’s problems, such as Davison’s great death bed acting being somewhat overshadowed by Nicola Byrant’s cleavage (or is that a problem? Depends who you ask) or the kind of cheesy spectral return of his past companions (God, who does that these days?), Davison and Byrant still deliver an incredibly strong, quite unsettling scene.
It gets even better when you realise that The Doctor was actually holding off his regeneration for pretty much the entire story, just so he could get shit done. Say what you will about The 5th Doctor, but he was a stone cold badass.
William Hartnell to Patrick Troughton (The Tenth Planet)
Granted, The Doctor doesn’t bow out for the most heroic of reasons (old age) but the first regeneration of the series deserves a spot on this list because the ingenious idea of The Doctor being able to change his face has ensured that Doctor Who can still be going strong fifty years on.
It’s done remarkably well for the time too, with Hartnell glowing a milky white and seamlessly becoming Troughton. You seriously barely notice it happen. You’ve got to wonder what the hell viewers thought was going on at the time.
Christopher Eccleston to David Tennant (The Parting of the Ways)
The first regeneration of New Who must have been as much of a shock to younger viewers as The Tenth Planet was for everyone else.
Eccleston delivers a brilliant speech while Rose looks on, absolutely terrified. Here, regeneration is clearly quite sad, but still cause for optimism, as it should be since no one is actually dying.
And no longer does The Doctor konk out on the floor in a slightly feeble manner. For the first time, he throws his arms up and explodes with energy, which is much, much cooler (and also allows for Matt Smith to destroy an entire fleet of Daleks).
Paul McGann to John Hurt (Night of The Doctor)
YES. Just because we thought we’d never see the day, this regeneration gets a place on the list. What does this regeneration scene get done?
Well, it lets McGann showcase his fantastic range as The Doctor (rage, acceptance, flippancy), it gives us more time with PAUL MCGAN AS THE DOCTOR and perhaps most importantly of all, it makes his Big Finish audio adventures unarguably canon.
Paul McGann though guys, amiright?
Jon Pertwee to Tom Baker (Planet of the Spiders)
So even though the regeneration effect itself is a little rubbish, and the hovering monk man of exposition land always terrified me on a personal level, this scene has Lis Sladen and Jon Pertwee absolutely acting their hearts out (while The Brigadier watches on vaguely bored by the proceedings).
Fun fact; this is the first time the process is actually called Regeneration. There, we’ve all learnt something and I can’t think of anything else to say.
SPOILERY SPOILERS OF A SPOILING NATURE.
Well the score may be suffering from a slight bias because Paul motherf**cking McGann is finally back playing The Doctor on our screens. A moment I have waited for since 1996 personally.
While five minutes isn’t nearly enough for McGann (a web series will do nicely, thank you) he still manages to exude a charm and exuberance, now topped off with a massive dollop of cool because he isn’t stuck with a ridiculous costume or stupid wig.
Clearly tired and changed by whatever’s happened with the Time War so far, we’re afforded a nice insight into how awful things are. The Doctor’s would be companion claiming there’s no difference between Daleks and Time Lords anymore sums it up and justifies why The Doctor would essentially give up being The Doctor (a very unsettling moment).
There’s also a handful of nice references to McGann’s Big Finish adventures (rightly so) as he namedrops Charlie and Lucy, among other companions.
And of course we finally have an official name for Hurt’s Doctor; The War Doctor. The glimpse of him here shows him to be a much younger man. I imagine the implication is that he’s been in that incarnation for a long old time.
Night of The Doctor sets up the 50th anniversary bash in an intriguing way, but most importantly, it let the 8th Doctor have another hard earned crack at the whip. About time.
Watch it here, baby.
What with The Day of Doctor airing on our screens in less than three weeks now, I decided it was time to pull my finger out and actually write something to do with Doctor Who again.
So I decided that the best thing to do was to take my pick of episodes for each incarnation of The Doctor. Episodes that I feel define that particular version, and give them a kind of mini review (all culminating in a review of Day of The Doctor, of course).
Where better to start than the very beginning of it all?
William Hartnell – An Unearthly Child (23rd November, 1963)
Totters Lane. What was intended to be a simple junk yard to set the scene has transcended into the stuff of legend for Whovians. Referenced in various episodes and even featured in the brilliant new trailer for the 50th, it sets the stage for where it all began.
Tucked away, hidden in the midst of piles of rubbish and rusted trinkets is an old police box from the 1950s. To the people of 1963 this was already a fast fading relic but Doctor Who has ensured that the TARDIS has become a consistent icon throughout its 50 years.
From the off, viewers are roped in by the mysterious phone box but before we get a chance to glimpse inside, we’re taken to a typical secondary school. Two young (and quite handsome) school teachers discuss an unusual student that they have in common. The obviously kind pair resolve to visit her at her home, despite her warnings that her grandfather would be less than pleased with this.
A bizarre police box in a junk yard and a strange young student who is reluctant to let anyone in. It’s the theme of the unusual tucked away in the everyday that Doctor Who has carried in its DNA from day one and it’s just as evident here.
From here, the school teachers Ian and Barbara finally meet The Doctor. That’s when everything really kicks off. Confused as to why Susan’s home adress leads them to a junk yard, their attention is drawn to the phonebox which appears to be humming. An altercation ensues and they get inside.
While the original TARDIS interior might not be as grand as we’re used to these days, it remains an elegant design that has aged beautifully. We also have to consider that at the time, this was an absolutely massive plot twist. We don’t bat an eyelid as The Doctor dashes in and out of his ship these days but if anyone says they saw that coming back then, they’re lying.
William Hartnell absolutely sells The Doctor. We aren’t meant to like this man. He’s a very different breed from the other ten men who came after him and while he eventually becomes the hero we know and love today, this Doctor is frankly, a bastard. It’s brilliant.
Hartnell is a cold, calculating and unsettling presence that only works because of his companions. Susan is the only blood related family member of The Doctor that we ever see and like Hartnell, she is a different breed from any companions we know today (and not just because she calls him grandfather). Susan and The Doctor are on the run together. He hasn’t just picked her up and she hasn’t just tagged along. There’s clearly a bond there and Susan is smart, capable and resourceful. A template for every Who girl that follows.
Ian and Barbara are there to make the Doctor seem more alien. They can discuss this bizarre old man and for the viewers a clear us against them divide is created (at least at first).
An Unearthly Child introduces us to a cold, ruthless Doctor. Perhaps the most fascinating take on the character in my opinion, as well as introducing us to three supporting characters in a seamless fashion that all ties up nicely. The only reason it has a score of seven in the title is because despite the fact the first part of the serial is so tight, the TARDIS soon takes off and we have to sit through a load of shit about cavemen. Dull.
Next Time: The Tomb of The Cybermen
And there, on a Saturday evening on BBC One in 2013, was William Hartnell as… The Doctor. Excuse my language but fuck me that was enough to make me explode with joy. After fifty years, finally getting a glimpse of the moment The Doctor decides to run off with a type 40 TARDIS and see the universe was something truly special for me.
And it only went and got better. We saw Doctors one through seven, including that strange moment in Dragonfire where for some reason, Seven decides to crawl down a cliff. I think I’d already decided this was a perfect episode from that 50th montage and that was only the bloody pre credits sequence.
Of course, some of the meshing of archive clips worked better than others, but when you’re watching your childhood colliding with the present day of your favorite program, who really cares?
The Name of The Doctor managed to set up everything that needed to be set up for the 50th shenangins all while answering some questions that have been around for years and still managed to be an enjoyable, witty and in places quite chilling episode.
Did the big question, the Doctor’s name get revealed? No. Of course, it was never going to be answered in a straight forward “my name is…” way and frankly anyone with a fundemental understanding of Doctor Who would have known that from the off. Moffat is a fan and as such knows full well that is a question we never need to hear the answer to.
And if you were expecting an asnwer, it’s hard to have felt shortchanged from this gem of an episode. River’s final farewell was truly quite heartbreaking, seeing The Doctor’s assertion that he hates goodbyes is a deeper glimpse into who he is than his name could ever tell us.
Some might gripe at lack of explanation towards why The Doctor could see and touch River, I couldn’t care less when the payoff was such an emotional scene and that line “God knows how that must have looked”. It would be a shame if this was River’s last appearance but she couldn’t have gone out on a better note.
Matt Smith was firing on all clyinders once again, showing anger, heartbreak and at times, genuine fear. The scene where he found out he had to go to Trenzalore was quite unsettling. This is not how The Doctor is supposed to be and Matt Smith played it perfectly, not too much and not too little emotion.
Strax, Vastra and Jenny still need their own spin off series, that much will never change. I admit I was watching this episode in the fear that one of them would bite the dust and that horribly chilling scene where Jenny realised she had been murdered set the stakes very early on. Frankly, I don’t know what I’d do without my favorite Dinosaur/Victorian Maid Lesbian Crimefighting Couple. Although Strax is genuinely brilliant, his comedy did detract from the drama at times, which felt a little frustrating.
I think Jenna Louise Coleman’s character has come under a lot of unfair criticism this series. She’s constantly been brilliant in my eyes and to be honest I never could really stand Amy Pond. Sorry, world, but I just think Clara is miles ahead.
Some reviews have complained that since we haven’t known Clara that long, her sacrifice doesn’t mean as much. I would argue that surely it means that much more? If she hasn’t known The Doctor that long and is willing to tear her very existence apart to save him, I think that’s pretty big.
Incidentally, The Doc and Clara’s chemistry was great here. Maybe it’s because Clara finally saw a deeper side to The Doctor, but they really seem to care about each other much more in this one. Although I am glad River wasn’t sidelined so The Doctor could canoodle with Clara as I initially feared.
There isn’t too much to say about The Whispermen and Richard E Grant. Grant is always brilliant and hopefully we haven’t seen the last of him and while the Whispermen looked creepy as hell, they didn’t really do much besides… whisper. Not that cool.
Oh yeah, introducing John Hurt as The Doctor? Jesus Christ, November 23rd cannot come fast enough.
It seems a bit odd to start reviewing a series towards the end of its run, but I just started this blog. It’s my blog. DEAL WITH IT.
It was my fault, really. I should never have heaped on the ridiculous levels of expectation for this episode but, an entire episode set in the depths of the TARDIS, the most iconic and wonderous ship in all of science fiction? The only episodes I were looking forward to more were the 50th special and the Neil Gaiman Cyberman episode.
Alas, I think this episode was always going to dissapoint me in some way. It doesn’t help that the supporting cast were three planks of extra bland bland wood from bland and son. One dickhead and two likeable guys I can deal with. Three dickheads is just boring. They were my main peeve with the episode and why I had to get that out of the way upfront.
So basically, we’re trapped inside the TARDIS for a good 45 minutes with three annoying tits and The Doctor and Clara who were, as always, nothing short of brilliant so there isn’t much point in going into that. The main character in this episode was really, the TARDIS.
It’s probably just because I’ve been a fan my entire life that I felt a little short changed by the repetive corridors and very brief glimpses at other rooms. That library was pretty cool and it would have been nice to spend a little more time in places like that. On that note, if The Doctor is the only survivor of the Time War, who wrote that book on the Time War Clara found? The only reason I struggle to believe it was The Doctor is because his name was in it. Why would he write his name in a book if he is so scared of anyone finding it out?
Moving on, it would have been nice to maybe see a past console room or two, but this is all just fan greed. The Eye of Harmony looked fantastic, as did the center of the TARDIS and the creepy lava monsters. Even if the latters’ explanation was a little underwhelming.
There were some cool nostalgic touches such as hearing companions and Doctors past talking about the TARDIS, as well as the Doctor’s cot and Amy Ponds little TARDIS model. Bless.
Overall it’s a little infuriating how all the secrets are brought out and let put back neatly away by a plot reset button. I usually don’t mind time rewinds or such things but at the expense of any plot development? Bah. At the end of the day it was a decent enough episode but just failed to deliver on the promise of its concept and failed to deliver any real breakthroughs for the TARDIS crew. A missed oppurtinity in my book.
Then again, even on its worse day, Doctor Who is still the best thing on television so what do I know?
So by now we all know that David Tennant and Billie Piper are coming back for the half century bash, along with the bloody Zygons (which I will never get bored of telling people) and the good old Brigadier’s Daughter. I for one, don’t believe we’ve had half the news and so here are ten more things that need to happen. I’m a greedy fan. Sue me.
Oh, he’s said he isn’t taking part… I don’t care. The 9th Doctor is the reason Doctor Who is back on our tellies and so popular. He was dark, funny and genuinely scary at times and one season was nowhere near enough of him frankly. Kidnap his family, buy him his own island. I don’t care, just get the bloody 9th Doctor back for this.
I think they’ve become slightly overused of late, but it wouldn’t be the 50th without an appearance from the shows first and most iconic monsters. They don’t have to drive the entire plot either, just a Five Doctors style ten minute scene would do. Provided it doesn’t involve The Doctor tricking it into firing at a mirror. Jesus.
Because Ace was fucking brilliant, I don’t care what anyone else says.
For my money, one of the best Doctors. That he only got one shot to play The Doctor on screen is criminal. If there was ever a chance for the 8th Doctor to get some more (well deserved) screen time, for the love of God, this is it. Of course, it helps that his Doctor was given a new look a year or so back and that he recently refused to rule out appearing…
Yes. Yes. Yes. Yes. Yes. If nothing else, it would be a nice tribute for the late, great Liz Sladen who we all know is going to be sorely missed in this very special episode that she should have (and I imagine would have) been a part of.
The Original Theme Music
Because screw looking to the future. I want the ethereal, simple and beautifully haunting 1963 score over the top of today’s magnificent CGI opening sequence. That, or the McCoy era theme. I always loved that one. I think I have a problem.
References a Plenty.
It’s been 50 years. I want Jelly Babies, long scarfs, cricket bats, Kamelion, the Eye of Harmony, Susan, Pease Pottage, Mike Yates, question mark lapels. Hell, name drop Adric. I’ll take it all. I am a reference whore.
The First Three Doctors
I know they’re all dead. However, they need to be included or acknowledged in some way, be it past footage or studio tomfoolery or whatever. If not Two and Three then at the very least William Hartnell needs some love as the man who started a fifty year and eleven man legacy.
A Decent Story
The Five Doctors was great, but if we look at it critically.. it wasn’t. A handful of characters were relegated to sitting around the TARDIS and we actually had to watch that when we all wanted to see how the actually action was moving along. Don’t get me wrong, I love The Five Doctors. But I want the 50th story to be a classic in its own right.
ALL THE DOCTORS
I know I’ve covered some already, but there you go. I love David Tennant and I am thrilled he’s coming back. But the way I see it, we have them all back or we have none of them back. I don’t think the fans give a shit if they don’t look how they used to. That’s been written away in the past. If it was ever going to be done and completely justified, it would be this extraordinary time in Who’s life. The Eleven Doctors. Make it happen, Moffat.